Good job...

overall I would say good .. light and pleasant music ... excellent composition

Franco

i enjoyed it a lot

Great Piano work🎼🎧♪♪♪ it is e very, very good track😊👍❤️♪♪♪

best regards Horst😎
🙈🙉🙊

PS: Thanks for your friendly comment😊

Dein Piano Spiel ist Sehr schön !

Très belle et bonne bande son,

Félicitations l'artiste, du beau piano, une superbe orchestration très bien adaptée pour des films de cinéma.

Tous les différents instruments sont parfaitement coordonnés ce qui nous donne une magnifique musique qui nous fait imaginer également des scénarios de films.

C'est aussi du symphonique classique contemporain avec un judicieux mélange d'instruments classiques et de sonorités de synthés.

Superbe l'intro également avec le piano, les violons... jolie mélodie. plus les sonorités de synthés à la suite et les percussions qui me plaisent également.

Belle et longue transition à 1 minute et 47 secondes env.

Il y a plusieurs ambiances dans cette musique qui sont vraiment appréciables.

C'est très bien fait, bravo !

Amitiés.

Patrick

I like the way your clever performance can make a tune in 4/4 fell like 3/4... amazing. I was not expecting percussion of that nature. I've often felt that the juxtaposition of delicate and non-delicate sonics leads to some unexpected results.

we could spend days and days on it hahaha

And well fetter,

You make me think of "Carl Nielsen", a composer, last year I expiated to students of the conservatory these same modal characteristics of which you speak, the first works for piano (before 1900), the tonal language Nielsen was very chromatic, often in combination with modal features. This harmonic approach is coherent on certain important points with certain stylistic techniques of the end of the 19th century. For example, the widespread use of chromaticism in inner voices, chromatic inflection as a modulating technique, as well as chromatic medial relations and modal harmony were evident in the music of Brahms and other romantic composers. Nevertheless, other harmonic characteristics, specific to Nielsen, appear.

Concerning the piano, that's it, here in this piece, the piano we hear is an existing loop of Magix, which I replayed myself in the same way, without thinking about all this theory but knowing the music, there is always a related logic in the composition, the creation or even in its execution,

very good observation fetter, very good

At first I thought the piano did not sound like your style of playing because it consisted of arpeggiated triads but then you said it was Magix loops so that is why. I like your instrumentation and especially the percussion.

Very nice

Trish